I find it essential to spend time playing with the guitar and amp before setting up mics. On classic Marshall Plexi amps, each channel doesn't have its own dedicated EQ. It involves a dance between the individual channel volumes and the overall EQ. Plexi high treble channels are known for being very bright. With the right guitar combo, they can peel the paint off the walls.īlending in the normal channel can fill in the tonal blanks and mellow out the tone. The normal and high treble channels on a Marshall Plexi sound every different from each other. EQ at the ampĪ lot of guitarists make mistakes because they don't know how the EQ operates on their guitar or bass amps. So use my process as a springboard to find what works best for you and your sound. You can listen to five guitarists or engineers talk about guitar tone, and each will have a different approach. One thing to remember about tone is that it's merely an audio opinion. I thought I would share some of my findings on the subject of guitar EQ. Dealing with guitar at every stage of the process, from stage to recording to mixing, has given me a broad perspective on EQ. I also mix a good portion of the music I produce with other artists. This goes one step further these days as I also happen to be mixing all of the music I compose. This means I have to be pretty aware of how my sound gets captured. Because of this, I'm always thinking about my guitar tone. I spend a lot of time on stage and in the studio.
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